{"version":"1.0","provider_name":"Nicolas Poussin, peintre classique du 17e si\u00e8cle","provider_url":"https:\/\/www.nicolas-poussin.com\/en\/","author_name":"Guillaume Horen","author_url":"https:\/\/www.nicolas-poussin.com\/en\/author\/nicolas-poussin-com\/","title":"From Baroque to Classicism - Rubens, Poussin and the painters of the 17th century","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"hdmzODX6xL\"><a href=\"https:\/\/www.nicolas-poussin.com\/en\/books\/from-baroque-to-classicism\/\">From Baroque to Classicism &#8211; Rubens, Poussin and the painters of the 17th century<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.nicolas-poussin.com\/en\/books\/from-baroque-to-classicism\/embed\/#?secret=hdmzODX6xL\" width=\"600\" height=\"338\" title=\"&#8220;From Baroque to Classicism &#8211; Rubens, Poussin and the painters of the 17th century&#8221; &#8212; Nicolas Poussin, peintre classique du 17e si\u00e8cle\" data-secret=\"hdmzODX6xL\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.nicolas-poussin.com\/wordpress\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Collective work, published by \u00c9ditions Fonds Mercator, 2010 Work published at the time of the exhibition at the Jacquemart-Andr\u00e9 Museum in Paris from September 2010 to January 2011 This richly illustrated work presents an original view of the relationship between the Flemish Baroque painting and classic French art. In order to explain the reversal of &hellip; Continue reading","thumbnail_url":"http:\/\/nicolas-poussin.com\/wordpress\/images\/rubens-poussin-235x300.jpg"}