{"version":"1.0","provider_name":"Nicolas Poussin, peintre classique du 17e si\u00e8cle","provider_url":"https:\/\/www.nicolas-poussin.com\/en\/","author_name":"Guillaume Horen","author_url":"https:\/\/www.nicolas-poussin.com\/en\/author\/nicolas-poussin-com\/","title":"Poussin and the construction of antiquity","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"oLJaSt1ww4\"><a href=\"https:\/\/www.nicolas-poussin.com\/en\/books\/poussin-construction-of-antiquity\/\">Poussin and the construction of antiquity<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.nicolas-poussin.com\/en\/books\/poussin-construction-of-antiquity\/embed\/#?secret=oLJaSt1ww4\" width=\"600\" height=\"338\" title=\"&#8220;Poussin and the construction of antiquity&#8221; &#8212; Nicolas Poussin, peintre classique du 17e si\u00e8cle\" data-secret=\"oLJaSt1ww4\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.nicolas-poussin.com\/wordpress\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Collection d\u2019histoire de l\u2019art, Acad\u00e9mie de France \u00e0 Rome (History of art collection, French Academy in Rome) \u2013 Villa M\u00e9dicis \u2013 Marc Bayard, Elena Fumagalli et al. \u2013 Published by Somogy \u00c9ditions d\u2019art, 2011 Nicolas Poussin developed an imaginary view of antiquity by gathering sources both visually (engraving, architecture, sculpture) and in literature, and his &hellip; Continue reading","thumbnail_url":"http:\/\/nicolas-poussin.com\/wordpress\/images\/poussin-antique.jpg"}